"I mean, it's true that things were a little catch-as-catch-can and haphazard," said Bernhard, "but you got to hang out with people, and it was late at night!"Ĭedarblade added, "And to then just be a part of this iconic show that really touches people for years and years and years … it's humbling in that way." No royalties – not even their names in the credits. The kids got $5 for each recording session. "Because, you know, that $15 ain't getting any bigger!" "Yup, this starts to get a little discouraging when you put it that way!" laughed Bernhard. 1962.Ĭorrespondent David Pogue asked, "The recordings you made have probably been played and listened to more than many of the biggest pop singers." "And this group here is fabulous." Jazz composer Vince Guaraldi c. "It's fun to work with the kids," Guaraldi once said. Paul's Episcopal Church youth choir, in San Rafael, California. The children's singing voices belonged to Cedarblade, Dan Bernhard, Dave Willat, and a few other members of the St. "Lee just dashed off some lyrics, like, basically on the back of a paper bag or something," said Cary Cedarblade. With time running out, he wrote the words himself. The song was just piano, bass and drums, but Mendelson thought that it should be sung.
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